As the Opium War unfolded in Guangdong Province, the painter Su Renshan exploded onto the art scene with a bold, paradigm-turning new voice. Yeewan Koon’s new book, A Defiant Brush, takes a fresh look at this nderappreciated artist in the context of a nascent Chinese modernism. In 1839, Guangzhou had shifted from a cosmopolitan trading center with a diverse art world into a pla...(展开全部)

As the Opium War unfolded in Guangdong Province, the painter Su Renshan exploded onto the art scene with a bold, paradigm-turning new voice. Yeewan Koon’s new book, A Defiant Brush, takes a fresh look at this nderappreciated artist in the context of a nascent Chinese modernism. In 1839, Guangzhou had shifted from a cosmopolitan trading center with a diverse art world into a pla...(展开全部)

Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the ninet...(展开全部)

Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the ninet...(展开全部)

John Theodore Merz (1840-1922) was an industrial chemist and philosopher who came to Britain from his native Germany in 1867. His life-long work was dominated by the desire to contribute towards the unification of knowledge. Uniting the two cultures of science and the arts, Merz's "History of European Thought in the Nineteenth Century" is an extended survey of the development o...(展开全部)

Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

本书为西方史学家名著，自1913年初版以来，一再重版。作者古奇是英国第一流史学家。他博览群书，对十九世纪时的西方史学家作品很熟悉，对他们所写的人物(如拿破仑)或古代史(如希腊罗马的历史)都了如指掌，所以他对当时的史学家及其作品都有独到的评论。这部书也可以说是一部史学书评。

本书为西方史学家名著，自1913年初版以来，一再重版。作者古奇是英国第一流史学家。他博览群书，对十九世纪时的西方史学家作品很熟悉，对他们所写的人物(如拿破仑)或古代史(如希腊罗马的历史)都了如指掌，所以他对当时的史学家及其作品都有独到的评论。这部书也可以说是一部史学书评。

In Disaffected Xine Yao explores the racial and sexual politics of unfeeling—affects that are not recognized as feeling—as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism's paradigm of universal feeling. Yao traces how works by Herman Melville, Martin R. Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, a...(展开全部)