As the Opium War unfolded in Guangdong Province, the painter Su Renshan exploded onto the art scene with a bold, paradigm-turning new voice. Yeewan Koon’s new book, A Defiant Brush, takes a fresh look at this nderappreciated artist in the context of a nascent Chinese modernism. In 1839, Guangzhou had shifted from a cosmopolitan trading center with a diverse art world into a pla...(展开全部)

Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the ninet...(展开全部)

Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

In Disaffected Xine Yao explores the racial and sexual politics of unfeeling—affects that are not recognized as feeling—as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism's paradigm of universal feeling. Yao traces how works by Herman Melville, Martin R. Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, a...(展开全部)

In Disaffected Xine Yao explores the racial and sexual politics of unfeeling—affects that are not recognized as feeling—as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism's paradigm of universal feeling. Yao traces how works by Herman Melville, Martin R. Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, a...(展开全部)

I. M. Yaglom has written a very accessible history of 19th century mathematics, with emphasis on interesting biographies of the leading protagonists and on the subjects most closely related to the work of Klein and Lie, whose own work is not discussed in detail until late in the book. Starting with Galois and his contribution to the evolving subject of group theory Yaglom gives...(展开全部)

I. M. Yaglom has written a very accessible history of 19th century mathematics, with emphasis on interesting biographies of the leading protagonists and on the subjects most closely related to the work of Klein and Lie, whose own work is not discussed in detail until late in the book. Starting with Galois and his contribution to the evolving subject of group theory Yaglom gives...(展开全部)

This first full-length study of the relationship between political change and the law in Bismarckian and Wilhelmine Germany throws new light on the strengths and weaknesses of German liberalism and the German state, merging ideological and structural explanations for the 'peculiar' nature of modern German development. Focusing on the preparation of the civil code of 1896, it sh...(展开全部)

This first full-length study of the relationship between political change and the law in Bismarckian and Wilhelmine Germany throws new light on the strengths and weaknesses of German liberalism and the German state, merging ideological and structural explanations for the 'peculiar' nature of modern German development. Focusing on the preparation of the civil code of 1896, it sh...(展开全部)